The inspiration behind the look made it even higher.
After defeating Elsa Jacquemot in straight units, Osaka revealed that the kimono paid homage to her Japanese heritage whereas additionally referencing considered one of her favourite movies — Quentin Tarantino’s Kill Invoice.
“For me, my Japanese heritage means quite a bit,” Osaka defined. “They are saying all white at Wimbledon and I believed it could be actually cool to come back out in a kimono.”
She added that the design was impressed by Lucy Liu’s unforgettable character O Ren Ishii, whose iconic white kimono stays one of many movie’s most memorable vogue moments.
“I at all times inform folks I wish to be like a online game character generally. I don’t need to be myself after I’m enjoying on the courtroom. And I form of attempt to embody her a bit,” Osaka mentioned.
In case you’ve been following Osaka’s type evolution, this second feels just like the pure subsequent chapter. Earlier this 12 months, she shocked the Australian Open with a dramatic veil, outsized hat, and parasol earlier than arriving on the French Open in an embellished black ceremonial skirt that remodeled right into a shimmering gold tennis gown. Even her Met Gala appearances proceed to push vogue boundaries.
However this Wimbledon second feels completely different.
The look seamlessly blended heritage, storytelling, and excessive vogue with out taking consideration away from the sport itself. It celebrated Japanese tradition whereas honoring one of popular culture’s most unforgettable feminine characters, all inside the confines of Wimbledon custom.
And the perfect accent? A primary-round victory.
Naomi Osaka continues to point out the world how type and substance can completely coexist. Each event has change into a possibility to inform a narrative, and this one could also be her strongest vogue assertion but.
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